“
Yes, that’s blood.  Residents are cleaning out a Sunni mosque in Ghundai, Pakistan after a suicide bombing.   Over 40 were killed and many others wounded.  Although the effect of  the explosion on those within must have been amplified by the brick  walls, the solid construction also saved many more lives.  And then the  hoses and brooms were brought out and the clean-up begun.  More  solidness–this time in the local community that can matter-of factly get  on with the responsibility of living together.
There is much to admire in the practicality of ordinary people  responding to the ongoing disasters that plague the early years of the  21st century.  And yet I can’t help but think, that is the hell of it.  They, and we, and everyone seems trapped in damage control rather than  in making some of the obvious, albeit large-scale changes needed to move  beyond political violence.
The photograph captures this paradox.  On the one hand, it is a  picture of functionality: a simple, well-built building and people  working together to get the job done, no frills and no drama.  On the  other hand, that horrible river of human blood–and the knowledge that  innocent people have been reduced to sewage.  The scene appears too  ordinary to be a picture of war, and yet I shudder to think this is what  passes for peace.”

Yes, that’s blood.  Residents are cleaning out a Sunni mosque in Ghundai, Pakistan after a suicide bombing.  Over 40 were killed and many others wounded.  Although the effect of the explosion on those within must have been amplified by the brick walls, the solid construction also saved many more lives.  And then the hoses and brooms were brought out and the clean-up begun.  More solidness–this time in the local community that can matter-of factly get on with the responsibility of living together.

There is much to admire in the practicality of ordinary people responding to the ongoing disasters that plague the early years of the 21st century.  And yet I can’t help but think, that is the hell of it. They, and we, and everyone seems trapped in damage control rather than in making some of the obvious, albeit large-scale changes needed to move beyond political violence.

The photograph captures this paradox.  On the one hand, it is a picture of functionality: a simple, well-built building and people working together to get the job done, no frills and no drama.  On the other hand, that horrible river of human blood–and the knowledge that innocent people have been reduced to sewage.  The scene appears too ordinary to be a picture of war, and yet I shudder to think this is what passes for peace.”

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    This breaks my heart
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